In the story, Salander crosses paths with a collection of wealthy individuals, but depicting this world of high-powered corruption created challenges for a film with a rumoured budget of around $43m. He didn’t want to portray Stockholm as it is. He wanted clean and shiny areas as well, but in general the more rundown the look the better. “Fede Alvarez wanted to look at gritty, dirty locations. “Stockholm is very clean,” Darrelmann tells the organisation. Klaus Darrelmann worked with Cantillon as the film’s location manager and tells LMGI that Alvarez sought a grittier urban landscape that was more readily available in Berlin. Studio Babelsberg also had full-service studio facilities and there’s a tax incentive that helped us make the film at a budget.” “Berlin was the most production-friendly and had a number of great locations that could stand in for Stockholm. “We scouted Stockholm, Prague and Berlin,” says Elizabeth Cantillon, a producer on The Girl in the Spider’s Web, in an interview with Location Managers Guild International (LMGI). He died in 2004, shortly after delivering the manuscripts for The Girl with the Dragon Tattoo, The Girl Who Played with Fire, and The Girl Who Kicked the Hornet's Nest. Directed by Fede Alvarez, the film is an adaptation of the book by David Lagercrantz featuring characters originally created by the late novelist Stieg Larsson for his Millennium trilogy of books. Stieg Larsson, who lived in Sweden, was the editor-in-chief of the magazine Expo and a leading expert on anti-democratic, right-wing extremist, and Nazi organizations.
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